![]() This story may appear to be about women, since you only play as Bayonetta, Viola, and (briefly) Jeanne, but this opening monologue is all about Viola’s father - an important piece of foreshadowing, because the patriarchy ends up playing a significant role this time around. Instead, the first voice we hear is a brand-new character named Viola she’s a teenage, punk rock witch in training who serves as the secondary protagonist. PlatinumGames’ newest entry in the Bayonetta story opens with a monologue, but it’s not from Bayonetta. Unfortunately, that is the exact situation I face in reviewing Bayonetta 3. ![]() It’s also hard to review a video game when it’s the third entry in a series of which you’re a super fan, to the point that it feels almost like a personal insult when the ending doesn’t line up with where you wanted the series to go. It’s hard to review a video game where you hated the ending, because of course, you can’t cover that in the review.
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